First, let us pause for two major caveats, as this article examines only software for producing high-quality, portable (as in put them on your iPod) digital recordings. This is no doubt sacrilege to bona fide audiophiles, for whom analog still rules supreme. (See the second part of this special report, 'Hi-Fi, Meet the IPod,' for a closer look at this issue and how new technologies may one day bridge the gap.)"
The thought that counts
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