Wednesday, March 28, 2007

World’s Cruelty and Pain, Seen in an Unblinking Lens

Glad to see recognition of perhaps the world's best social documentary photographer...If I had chosen another career, doing something similar to Mr. Nachtwey would have been my dream...


It matters not a little that Mr. Nachtwey is such an artful composer of images, that his work, although almost too painful to look at, is so graphic and eloquent. He snaps a picture just at the moment that the arms of rushing, dodging medics trading scalpels and scissors form a perfect zigzag of thrusting lines ending with a nurse pressing a fist into a patient’s head wound — the punctum of the image, to borrow Roland Barthes’s term. The nurse’s gesture has a strangeness that carries something of the quality of grace.
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Beauty is a vexed matter in scenes of suffering, cruelty and death. The difference between exploitation and public service comes down to whether the subject of the image aids the ego of the photographer more than the other way around. The two are not mutually exclusive.

Along with bravery and perseverance, Mr. Nachtwey’s pictorial virtue makes him a model war photographer. He doesn’t mix up his priorities. His goal is to bear witness, because somebody must, and his pictures, devised to infuriate and move people to action, are finally about us, and our concern or lack of it, at least as much they are about him and his obvious talents.

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